![]() There is a simple slider on/off switch, one knob for volume, one for tone. Laid out simply, the amp produces twelve watts with either 6v6 or 6aq5 preamp tubes. Having said this, there are a lot worse guitars out there, and as well as being historically important, the 1820 bass can certainly provide the goods when required. The Musicmaster Bass amp is a great way to get good tone from an honest vintage Fender tube amp without needing to take out a bank loan. It features a short 30 in (762 mm) scale. ![]() Production of the Fender Musicmaster bass ceased in 1983. It was also available as part of a set with the 12w single 12' speaker Fender Musicmaster bass amp. As with its six-string counterpart, which was a stripped-down version of the Fender Mustang, the Musicmaster Bass is a simpler version of the Mustang Bass. Initially available in red, white, or blue finishes, but also black and white, from the mid 1970s. List your Fender Musicmaster Bass 2-Channel 12-Watt 1x12' Bass Combo 1970 - 1980 today to get it in front of thousands of eyes, quickly and easily. Over the course of the 70s, the Japanese output improved dramatically, and in many ways these early 70s models are a low point for the brand. The Fender Musicmaster Bass is a model of electric bass guitar, produced by Fender between 19. These new Epiphones were based on existing Matsumoku guitars, sharing body shapes, and hardware, but the Epiphone line was somewhat upgraded, with inlaid logos and a 2x2 peghead configuration. When Fender released the Musicmaster Bass amp in 1970, they wanted to design something for bass players playing. The Matsumoku factory had been producing guitars for export for some time, but the 1820 bass (alongside a number of guitar models and the 5120 electric acoustic bass) were the first Epiphone models to be made there. History has a funny way of repeating itself. Having said this, there are a lot worse guitars out there, and as well as being historically important, the 1820 bass can certainly provide the goods when required.By the end of the 1960s, a decision had been made to move Epiphone guitar production from the USA (at the Kalamazoo plant where Gibson guitars were made), to Matsumoto in Japan, creating a line of guitars and basses significantly less expensive than the USA-built models (actually less than half the price). Over the course of the 70s, the Japanese output improved dramatically, and in many ways these early 70s models are a low point for the brand. Fender Style Musicmaster Bass Eyelet Fiberboard Tube Amp Parts USA Caps On Board 17.95 3.95 shipping or Best Offer 073-5250-402 Fender Musicmaster/Bronco/Mustang Bass Strings 5250 Short Scale (16) 24.99 Free shipping Fender Style Musicmaster Bass Eyelet Fiberboard Tube Amp Parts USA Vintage Board 17.95 3. These new Epiphones were based on existing Matsumoku guitars, sharing body shapes, and hardware, but the Epiphone line was somewhat upgraded, with inlaid logos and a 2x2 peghead configuration. This Fender Musicmaster Bass with its short 30 scale and punchy single coil sounding pickup is in very good original condition. Fields joined Fender R&D in 1961 and had worked on instruments including the PS-210 keyless pedal steel, Mustang Bass, Musicmaster Bass, Bronco guitar and the aborted '60s version of the Marauder guitar. 1976 Fender Musicmaster Bass Short Scale Olympic White w/OHSC Setup and inspected by our luthier FREE Shipping in the continental USA SAME DAY. The Matsumoku factory had been producing guitars for export for some time, but the 1820 bass (alongside a number of guitar models and the 5120 electric acoustic bass) were the first Epiphone models to be made there. In the early 1970s, CBS wanted to use up old Coronado stock and enlisted Fender designer Gene Fields to do so. 2013 Fender Bass Guitar Owner's Manual Fender Guitars and Basses 1992 Fender Guitars and Basses 1998 Fender Guitars and Basses 2003 Jazz Bass: Contemporary Jazz and Performer Basses (Japan 1985) Jazz Bass (1980) Jazz Bass Special (Japan 1987) Power Jazz Bass (Japan 1987) Standard Jazz Bass (Japan 1987) U.S. By the end of the 1960s, a decision had been made to move Epiphone guitar production from the USA (at the Kalamazoo plant where Gibson guitars were made), to Matsumoto in Japan, creating a line of guitars and basses significantly less expensive than the USA-built models (actually less than half the price).
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